A selection of rings imagined with the tool and chosen by the house: each told for itself, in image, and in motion for those that have their film. All the house’s stones are laboratory-grown, diamonds and coloured stones alike, and always described as such.
Two pear diamonds edge to edge, bezel-set in full yellow gold: the toi-et-moi brought back to its purest gesture.Moi et MoiAn open band paved with green diamonds, an oval and a pear diamond bezel-set face to face: audacity made for every day.An emerald-cut diamond held high in a dome paved with green diamonds: the classic carried all the way to goldsmith’s work.ElvaAn emerald-cut diamond framed in baguette diamonds, the band carrying them on: a calm geometry, drawn to last.ALLTIDAn oval diamond resting in the hollow of a bare gold signet: the strength of the metal, nothing else.An emerald-cut diamond shouldered by two step-cut diamonds and pavé: the trilogy, worn close to the finger.Two pear diamonds crossing on a paved band: movement caught mid-gesture.sillaA yellow cushion diamond, two ovals at its sides, within an architecture all of yellows: one colour, carried all the way.Sun QueenA band where three waves of diamonds roll through gold: light in motion.ESCALAA half-bezel emerald-cut diamond on a slender band: nothing in excess.A cushion diamond in a dome enamelled in blues: colour all the way. The first of the edition is already worn.A round sapphire of 3 carats under a halo of sapphires, on a fluted yellow gold band: tone on tone held all the way to the metal.A sapphire cabochon resting on diamond pavé: the softness of a smooth stone in a bed of light.Blue magicA fluted band edged with two lines of baguette diamonds: no centre stone, and nothing missing.An emerald-cut diamond at the crossing of two ribbons of baguette diamonds: where audacity meets the classic.A round diamond on claws over a wide flat band: the classic, without an ounce too much.
